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MORE MY GRANDCHILDREN Kandinsky

ABSTRACTION VII

This book is pure geometry. We see an almost flat background but has a soft colors that give a sense of infinite depth of deep space

The highlight is on the top left corner with those whose crown black concentric circles out from the rest of the table is in softer colors.

The concentric circles are repeated over the entire surface of the painting cleverly distributed.

There are other circles that seem to have a shadow projected.

triangles and quadrilaterals are strung in different ways, forming a regular and irregular grids.

are straight lines that appear to be targeted in specific directions that create a tension. There are groups which are semicircles tangent arches supported on a line.

lines are cut by two parallel lines.

There is a wave that is damped in time.

There are some figures that overlap each other and the overlapping area changes color as transparent and mix colors.

There are two converging lines that appear to be the radius of convergence but also arcs are not.

There are lines that go towards creating a dynamic corner

There triangles and angles with the point upward

Whereas Kandinsky makes the parallels between painting and music, I would say that the circles are long notes "round" the largest and most severe acute smaller, the aura is the vibration or sound, the grids are in line, the triangles are acute and penetrating notes short and arcs are semicircles whales that lengthen the note, two parallel lines that cut a line perpendicular or slope is a caesura indicating silent pause, the arches are bonds that unite notes sounded continuously, the angles are crescendo and descrescendo referred to the volume or intensity of sound. Damped wave corresponds to any sound of percussion, including piano, that by giving a shout gradually dampens the sound. The straight lines coils are on hold. The black curved triangle is to the right of the large black ring is the "tail" which adds a note "black" (duration 1 time) to symbolize the "eighth" (½ time period). Two parallel vertical lines located at the top right of the yellow triangle represent the "neutral key" used to the staff of a percussion instrument. To the right of this, a little below is a grid of 5 lines that start parallel with a gray and black squares is the former staff notation that the notes were squares.

A medium height and slightly off-center is a circle or ring in which convergence of three triangles of various colors with a very small angle, very close. This ring is full of percussion, like a drum. At right is a half white half black circle with two rings: one red and one yellow that surrounds it but half is hidden below the triangle in that area is green, these rings are a dish of percussion.

Therefore, this work represents a piece of music and instruments involved.

Antonio Sánchez-Gil http://arteycartelera.es

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Antonio Sánchez-Gil http://arteycartelera.es

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Writing Life, according to the Old Indecent

We who write the poetry of life, many of us are very tired, sad and tired and almost defeated (though not all). However, even we know that we do not need God to be divine, we do not need lines of garden to be saved, we do not need the war to be free, we do not need any Creelys to admire, we do not need to crumbling Ginsbergs monsters become vociferous, but maybe all we need Lagrimillas Lovely girls aged, the spilled beer, fights in the front yard for nothing but the intoxication of our sad love. Indeed defend our poetry, we live Lumped generation, indeed defend our poetry and our right to recite, and our right to write. No costume. Without a magazine raided by police as "obscene." Employment without losing their nerve. Do please understand that the do not claim that anything I write is immortal, not claim a special price, but everything is really beautiful: when I wear the shoes only see 2 feet down there. But let's say it: the few men I have taken that as an option, we or talent, we are tired of continuous game of death, we are trying to transcendence through arms and noses and brains and bones and broken lives that little touch of sanity and sun cojonudo: LIVE? Yes, living, that which touches us all, to you and we undead living alive.

C. Bukowski. Fragments of a wine-stained notebook . pp. 89-90

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DFW and the magic of reading literature as Murakami

A work of fiction is a conversation that can deal with the essential loneliness that occurs in the world. Among human beings there is a situation of lack of communication of emotions. Communication between the creator and the reader is extraordinarily mysterious. Good literature provokes an experience that can help to overcome the isolation of a subjective order. I do not know if it will work in English, because it is a term very idiomatic and idiosyncratic, in fact, the expression of a sound. I found after reading Auden and Yeats, I do not remember exactly. It's like an epiphany, in the sense that Joyce gave to the term, a revelation, a sense of harmony and perfection that he feels in the presence of a job well done, the work of art that does the trick. It's like a click, the sound it makes a box that is perfectly crafted to close. The ineffable effect caused by the contact with the work of art. Communication between different minds thinking that derives from the contemplation of poetic beauty. In the act of reading is given a component that is the attempt to establish communication with another consciousness, an interpenetration. What I call the click is the ability to recognize thoughts and feelings that the reader feels as his own, but can not verbalize. I, as a reader, when reading I feel that the author has found the words I need to give expression to my feelings. No way, I have given them, but they are no less than mine, thanks to the poet, the writer, have been transfigured, and expressed in a phrase of great beauty. At that time, the world becomes full, strength, straightness.

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When I write a story, I do not plan to go to hit a Japanese or a Chinese reader. Simply, I have fun doing it. The stories that I pose are natural, I can not explain. They are very intimate, very personal, and when I write I dig in my mind, my soul. That, precisely, why not, you can also global. It may well happen. What we must try to be authentic.

speak to me. I know myself. I'm just saying that every book I go down, more and more. To know better, I turn increasingly to the bottom of the well. Metaphorically. I also like to break walls. Transfer them. Go to the other side and sniffing. Then I go back. That is to write a novel. Go for the dark, what you do not know. If you try, you can do well. If you are able to pass these boundaries, you become someone of interest globally and find common souls in Asia, in Africa. If you have the courage to cross the wall, the border to which you feel alone and unarmed. Go through the wall and can become another. You can be free, too. In my novels I try that happen.

I use language as a tool. A tool I can use with great effectiveness. But no more. That is why critics and writers attack me. I seek originality of its own, away from what they proclaim. Neither their circles I frequent. I do not belong to any group, and Japan are supposed to be part of one. So I left my country a few years.

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Aira: Literature, youth and craft

For many years I thought that I had devoted to literature by elimination, because I could not do what he really wanted: making music, painting, cinema, he had no talent, no chance of none of that. So it was easier to write, something for which no longer required a pencil and pad, and able to write. But eventually, I realized the very long run, that literature is the most difficult of all art, so if I chose to discard, made a bad bargain.

prefer the company of young people. Is natural to go over to drink fresh blood. I like the enthusiasm, the drive of young people, which fades with time. Most of my friends from my generation, my childhood friends have already lost the flame. I try to keep in contact with youth. Most of my friends is now less than 30 years.

A reflux on what were my childhood years, the sixties, seventies, where it was almost mandatory for a juvenile be breaking something, something new, something different. Today there may be more conventional, resigned to do what they want the publishers, who have the obligation to continue publishing books to keep your machine and people are given this material. I think there are enough good books in every library to continue writing novels like the ones already there, however good they are. However well made they are, are more books. Our mission is to give something a bit more mystical, is doing something new, something different, and that there are few people to deal.

Uncoverd Denise Milani

life and literature, as Sergio Pitol

"When I was your age, expected to follow a path similar to my nephew had chosen. Like him, the faculty had studied the specialty of English, with a secret ambition to continue studying literature or perhaps try your hand at journalism, but I lacked the courage to do some of both. Life got in the way-two years in the military, work, marriage, family responsibilities, need to earn more money, all that shit that leaves us stuck where we do not have the guts to fight for what we want, but I never lost interest in books. Reading was my escape, my relief and my consolation, my stimulant of choice: reading for pleasure, for the beautiful stillness that surrounds you when you ring in your head the words of an author. "

Paul Auster, Brooklyn Follies . p. 21.

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