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VERMEER

JOHANNES VERMEER.

Vermeer was born in the city of Delft (Netherlands) in 1632, lived his entire life in the Netherlands until his death in 1675.

When these wonders we see today is incredible that the Dutch Baroque painter fell into obscurity during the eighteenth century. It was a French art critic who discovered it in the nineteenth century and today is one of the most recognized and admired painters.

Vermeer's works, we illustrate the reality of the rich and opulent seventeenth century Holland, where, thanks to trade, was at the peak of its colonial empire. Except in two cases in which the painter shows two exterior views (including one presented herein), the majority of his works are either portraits or scenes inside the halls of the Dutch bourgeoisie.

The compositional scheme is repeated: a window on the left side lets in natural light and between rich furnishings, clothing and jewelry they operate one or two characters, predominantly female.

The protagonist is always the woman, treated in a very delicate, detailed and sensual. She laughs, sleep, sew or work, provided bathed in an evocative and highly filtered light that plays with light and dark. The lady is usually dressed in very rich clothes, wearing jewelry and carefully combed. Represented inside explodes in details such as lamps, furniture, tapestries, paintings, maps, floor tiles, etc.

Despite the presence of characters, what really matters to Vermeer is space and light. The characters are accessories.

Vermeer thus became the painter of intimacy, of what is collected and calm, as quiet and suggestive. Its light is magic: golden and sensual, it gets to emphasize the atmosphere and air, with a little imagination we could see the specks of dust floating in the light visible side of the window.

The contemporary of Vermeer, which we like so much today is because their oils do not tell us anything, we should not guess or interpret stories, only images is presented, or mythology, or religion or literature, only immediate images, almost "television" and so we, seduced by a culture of immediate images, we are intrigued by these pictures automatically.

When exterior paints (only two) Vermeer boasts an early impressionism, capturing the light and air as would two centuries later the French Impressionists.

Needless to say, these impressionists deeply admired Vermeer, so for example, Renoir says in his painting "The Lacemaker" which is one of the best fabrics in the Louvre.

As for Van Gogh wrote to his brother Theo referring to Vermeer: \u200b\u200b"The palette of this strange artist understands the blue, yellow, light gray, black, white .... ... with special taste and an unerring sense of composition. "

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THE LAST SUPPER

THE LAST SUPPER of Leonardo Da Vinci

is a fantastic work by design and by resolution, a pity that the type of painting that Leonardo experimented I also fail and surprising him to get to experience a painting in the final work without trying it first.

Chromatically speaking is a work that maintains religious canons in terms of colors used with red, blue and green, golden yellow, purple and some ochres. Observe how Jesus brings red robe and blue cloak, while the right figure has a blue tunic and red mantle, the latter is used to dress as the Virgin Mary so I doubt that question of the apostle John, also in the right corner of the tablecloth is a knot and some say that means there's a woman among men. The face of that character is young, then it can not be the mother of Jesus, therefore it is conceivable that Mary Magdalene is as stated in THE DA VINCI CODE.

is one built on the symmetry and perspective as a basic purpose of the composition when Jesus was in the middle of the picture horizontally, yet is just at the vanishing point of central perspective.

The basic composition is "Radial" which comes to mean expansion, glory, splendor, devotion and guide the eye toward the center that suggests concentration, unity and power.

The characters are grouped into "rectangles" which means unity and stability.

Jesus In ecentro is enrolled in a "Isosceles" harmonizing with the above meanings and grandeur, security, balance, majesty.

Thus we see that the compositional elements have been well chosen to convey a subliminal level the sensations corresponding to the true meaning of the picture.

When grouped in threes to the characters creates a rhythm that focuses on the three-sided polygon that surrounds Jesus and also recalls the Trinity.

The number three is represented by the three windows in the background and the columns that are right and left and four by the gaps between left and right columns. Added 4 +3 gives 7 which is one of the magic numbers and apply a week, but came to mean the planet Earth from Pluto to Mercury counting. There are 7 days or periods of time it took to Yahweh Creation of the Universe.

As everyone knows the magic number 12 is also so we have 12 months in the year the 12 constellations of the zodiac, 12 tribes of Israel, 12 +12 hour land and the 12 apostles.

As you know the Renaissance is characterized, among other things, to extol the humanity and wisdom, for which the great artists resort to esoteric knowledge, mathematical and philosophical at the time to reflect its works, providing them with a double meaning, so we can see works by Botticelli, Da Vinci, Michelangelo, El Greco, Dürer, Bosch, Rafael, etc. to name only the best known, in which we always find meanings and codes, a decrypted and others do not.

All I have mentioned before and some others, placed in his paintings always something that was not what it seemed he had his special messages. This is difficult for us today to understand, because we have a very different mentality.

I think if Leonardo for dinner no meat but fish is precisely because it is meant Era of Pisces, as used by Church these symbols, which are even and that due to the precession of the equinoxes, Earth in its revolution around the Sun, rather than return to exactly the same position, undergoes a shift or lag behind the zodiac of 1 every 72 years, therefore, as every sector of the zodiac takes 30 º (360:12) go 30 degrees to move house or area zodiacal represent 2160 years, so we will the Age of Aquarius long around 2100. This issue of the zodiac has been used since the Sumerian civilization, at least, probably from before, I'll explain it later I think so, because reading decoding or multi tablets of Sumerian and Chaldean who talk about what happened before them.

also missing the cup, because it is known the meaning given in Church of the Holy Grail, the chalice, but it is not according to several authors, since the root is Sang Real, Real Blood is, and recalling that Jesus was a descendant of the house of David, was then a prince, and when talking about Blood Real refers to the lineage of Jesus, ie the children he had with Mary Magdalene, who according to several investigations fled the Languedoc where they formed a colony that would become the Cathars, attacked by the Church , in the hands of the king of France, to extinction in the castle of Montsegur and only saved themselves the descendants of Jesus, a boy and a girl, with the help of the Templars. Thus it would appear that Leonardo did not want to put it to denote that what is not what it seems, serving her no alarm.

Then there's the knife in one hand as the person who restored the work, Dr. BRAMBILLA, revealed that the knife actually held him PEDRO

remember that Peter hated to Mary Magdalene because Jesus was more attention to it than him. That's probably why the church still admits to women in the priesthood.

I am convinced that each of the acts of the apostles has a specific meaning to be deciphered.